2013-2014 Theatre Season
Kiss Me, Kate
October 11-13 and 18-20
Combine Shakespeare's Taming of the Shrew with Porter's music and lyrics to get Kiss Me, Kate a fun, melodious and sophisticated musical. This play-within-a-play shows each cast member's on-stage life becoming complicated by events happening offstage. Musical numbers include Why Can't You Behave, So In Love Am I, Wunderbar, and Brush Up Your Shakespeare. Winner of five Tony Awards for Best Musical, Best Produced Show, Best Script, Best Score and Best Costumes, it was originally produced in 1948 and has long been considered one of Broadway's treasures.
Night of Musical Theatre
October 25, 26 at 7:30 p.m. and October 27 at 2pm
This annual musical review features numbers from numerous musical theatre productions. This exclusively student-produced collaboration is sure to have you singing along.
December 11, 12, 13 and 14 at 7:30 p.m. and December 14 and 15 at 2 p.m.
Lori Lee Wallace, Director
Get your holiday cheer on with this hilarious, madcap comedy! Behind the scenes of a struggling theatre’s annual slapdash production of A Christmas Carol, rehearsals are at a standstill. Tim is no longer Tiny, Scrooge wants to do the play in Spanish (Feliz Navidad), and their funding is on hold pending an inspection. This laugh out loud spoof makes for a night at the theatre that is anything but show business as usual.
In the Garden of Live Flowers
March 7, 8, 14, 15 at 7:30 p.m. and March 16 at 2 p.m.
As author Rachel Carson struggles to complete her book, Silent Spring, she simultaneously fights both her progressing breast cancer and various factions of American enterprise that launch a crusade against her reputation. Carson's solace is found in Alice in Wonderland, her girlhood literary hero, alter-ego and imaginative guide her subconscious clings to. Carson’s story converges with a fantastical landscape enlivened by literary, film and cultural references that theatricalize the revolutionary science of Silent Spring.
May 9, 10, 16, 17 at 7:30 p.m. and May 18th at 2 p.m.
Lori Lee Wallace, Director
Considered one of Shakespeare’s darkest and most powerful tragedies. The play dramatizes the corrosive psychological and political effects produced when the Scottish lord Macbeth, chooses evil as the way to power. He commits regicide to become king and furthers his moral descent with a reign of murderous terror. In the end, he loses everything that gives meaning and purpose to his life, before losing his life itself.
November 15 and 16 at 7:30 p.m.
Mitchell Helton ‘15, Director
Catherine, the daughter of Robert, a recently deceased mathematical genius and professor at the University of Chicago, struggles with her own mathematical genius and mental illness. The play won the 2001 Pulitzer Prize for Drama and Tony Award for Best Play. Produced by Vpstart Crow.
The APO One-Acts - "Gone Mad, Will Return"
January 23- 25 at 7:30 p.m.
Completely student produced, this January term festival features three one-act plays that are directed, performed and often written solely by students. Tickets: $5 General Admission, $3 with PLU ID. Tickets available at the door.
- Naomi in the Living Room by Christopher Durang, directed by Jessi Marlow '16
- Hamletmachine by Heiner Müller, directed by Amelia Heath '15
- [This Space Intentionally Left Blank] to be written by the cast and crew of [This Space Intentionally Left Blank], directed by David Gordon '14
Waiting for Godot
April 4 and 5 at 7:30 p.m.
Josh Paramentor ‘15, Director
An absurdist play by Samuel Beckett, in which two characters, Vladimir and Estragon, wait endlessly and in vain for the arrival of someone named Godot. Godot's absence, as well as numerous other aspects of the play, has led to many different interpretations since the play's 1953 premiere. It was voted "the most significant English language play of the 20th century." Produced by Vpstart Crow. May be inappropriate for 12 and under.