Colors of the North—Pastel and Fiber features the inspirational artwork of
professional artist Rebecca Baumgartner, and the stylish weavings and textile
creations of Laila Eva (Caspersen) Hansen and Linda Jossefine (Caspersen)
Andresen. The exhibit will be on display in early September through November
16.
Rebecca (Floyd) Baumgartner graduated from PacificLutheranUniversity in 1983 with a
BA in Economics. She returned to school later in her life to study fine art at
the CornishCollege of the Arts. She has been a
professional artist for the last ten years, and has won many regional art
awards. Her work has been featured in prominent magazines, a best-selling
textbook, and in several art galleries. She is currently a resident artist at
Gallery Row in GigHarbor. Rebecca's
depictions of Nordic life and history arise from her love of the Scandinavian
culture and its deep affinity with rich colors and beautiful hand crafts. When
asked to comment on the opportunity to show her work at PLU, she stated, “I am
delighted to share my heritage and my paintings with my beloved alma mater and
the larger Scandinavian community.”
Laila Eva (Caspersen) Hansen took a serious interest in hand weaving after attending a workshop
(1980) in the "ripsmatta" technique, which is commonly used in rugs
and table runners throughout Scandinavia.
Laila also attended "The Weaving School" in Coupeville,
Washington, as well as "The Dansk
Vævecenter" in Haderslev,
Denmark,
furthering her study of weaving theory and design. Drawing from her love of the
outdoors and Scandinavian design, Laila often incorporates the earth tones of
nature into her color palette of hand-woven textiles. Laila’s work is available
through her business "Nordic By Design.” She resides in GigHarbor
and is currently employed by Horizon Air as a flight attendant.
Linda Jossefine (Caspersen) Andresen developed an interest in textiles at the
age of six, when her mother taught her to knit. She recalls (with a smile) that
her first “experiment” with color was when she dyed her mother's WWII wedding
dress purple.
Linda’s fascination with textiles resulted
in her obtaining Bachelor's and Master's Degrees in Clothing and Textiles from CentralWashingtonUniversity
(1970's). During that time, she spent a year of intense weaving at “The Bergen
Husflidskule” in Western Norway. She also
studied at the “InternationalWeavingSchool”
in Haderslev, Denmark. Linda currently serves as
Textile Curator for the ScandinavianCulturalCenter
at PacificLutheranUniversity.
Her vast knowledge and experience enable her to provide the history and value
of the weavings, textiles, and costumes
in the SCC Permanent Artifact Collection.
After fifteen years of university and high
school teaching, Linda decided to open her own textile design business. She has
made and/or designed over 100 Scandinavian folk costumes, and currently focuses
on innovative interior design pieces. Her greatest source of inspiration comes
from the vast amount of time she spends in Northern Norway
where she owns a home. Linda says, “The nature and colors of the North are
inspirational and calming, but speak to me in their own dramatic and unique
way.” She is currently employing the use of fish skins and fur from Helgeland, Nordland, Norway,
weaving, and knitting in her pieces. Linda's workshop is located in her place
of residence in GigHarbor and her work can be seen at Gallery Row in
downtown GigHarbor.
Meet the Artists Reception
Scandinavian Cultural Center
Sunday October 19, 2:00 PM
The Scandinavian Heritage Festival is a
celebration of Scandinavian culture and tradition. The three-day festival will
feature Nordic exhibits, arts and crafts, music, food, folk dancing, and
Scandinavian gift items. Each day there will be ethnic entertainment, lively
dancing, and participatory singing. Nordic demonstrations will include
spinning, Rosemaling, and bobbin lace making. Cultural cuisine will be
plentiful and spacious seating will be available. Raffle prizes will be awarded
throughout the weekend. The Grand Prize is two roundtrip tickets (some
restrictions apply) to Scandinavia aboard Scandinavian Airlines! The festival is rich
with Nordic tradition, however, one does not have to be Scandinavian to enjoy
the festivities!
7th Annual
SCANDINAVIAN HERITAGE FESTIVAL
Joining Oktoberfest NW
October
3-4-5, 2008
Pavilion
Hall – PuyallupFair & EventsCenter
Puyallup, Washington
Friday-Saturday 11am–7pm, Sunday
11am–6pm
Oktoberfest
open till midnight Friday-Saturday
A Celebration of Scandinavian
Culture
Denmark * Iceland
* Finland * Norway * Sweden
Scandinavian Music, Food, Arts & Crafts
Raffle prizes
Grand
Prize: 2 Roundtrip Tickets to Scandinavia
Donated
by
Scandinavian
Airlines and Scandinavian Heritage Festival
Have you ever wondered about the creative
process from sheep to shawl? How … felting is done? … a loom is warped? …a
quilt quilted? If so, don’t miss the free exhibit Fiber Arts—Every Fiber
of Our Beingat the Key Peninsula Harvest Fest at the Longbranch
Improvement Club, 4312 Key Peninsula Highway South, Longbranch, Washington, on
Saturday, October 4, 10am to 4pm.
Through the ages the human drive to
embellish even the most utilitarian items has resulted in the creation of
fibers and fabrics, from fine arts to utilitarian, traditional to modern,
self-expression to commercial. Exhibitors will be on hand to demonstrate and
explain the creative processes. Others will have equipment, materials, and/or
original items for sale.
A main attraction of the Fiber Arts exhibit
will be a display provided by the ScandinavianCulturalCenter.
The SCC exhibit will include textiles from the Permanent Artifact Collection,
including costumes from each of the five Nordic countries (Denmark, Finland,
Iceland, Norway, and Sweden), woven tapestries, and
samples of various handwork. A seventeenth-century spinning wheel will complete
the display.
The Fiber Arts exhibit will
also include a display of textiles from the Key Peninsula Historical Society
and Key Center Library collections. Fiber-related businesses will be
represented by Allyn Knit Shop and Spinning Supply, Krazy Kat Fiberhaus (needle
work and lace-making supplies), Longbranch Fiber Farm (wet and needle felting),
and Minter Creek Quilt Studio. Earl Sorrels’ collection of antique spinning
wheels will include a hands-on “spin-in” for willing participants.
Individual fiber artists will demonstrate
and share their knowledge of hand and machine embroidery and quilting, weaving,
knitting, appliqué, and cross-stitch. Participating artists will include Jan
Buday, Kumihimo braiding; Arlene Eagan, fiber and knitted silver jewelry; Lynn
Hollowell, costumes from concept to completion; Sarah Hoenig, needle tatting;
Dale Loy, basketry; Margo Macdonald, tapestry weaving; Reni Moriarity, crewel
and filet crochet; and Peg Robertson, weaving and natural dyes. Children’s
activities will include elementary school knitters, demonstration of latch hook
technique by Emily Ehrhardt, age seven; knot tying; and fabric stamping.
Address inquiries to Carolyn Wiley, LIC
Events Chair, 253.884.9157 or 253.884.6022.
New President’s Message
Smuler
fra den nye Presidenten . . .
Greetings to all friends of the Scandinavian
Cultural Center (SCC) at Pacific Lutheran University (PLU). I cannot begin to
tell you how excited I am to begin my term as president of the SCC! Being part Norwegian and Swedish and a Lute,
my role as Council President combines two of my greatest loves—Nordic education
and my alma mater, PLU!
We are going to have a wonderful year, and
have already begun by joining the team together for an entire afternoon in
August to develop a strategic plan for the coming year. We brainstormed
thoroughly and have developed new plans for membership expansion, council
development, academic partnership programs with the Scandinavian Area Studies
Program, and new ideas for exhibits and artifacts. Needless to say, we are
looking for more folks to join us in executing this plan.
Specifically, we are in need of people to help with:
§PR/Advertising – sending out press releases,
managing advertising
§Event Planning – a one time effort or recurring or
semester based events
§Membership Involvement
Please call either Susan Young,
253.535.7349 or myself, at 253.906.4323 if you are interested in joining us or
would just like to learn more. We’d be happy to hear from you.
Remember to mark September 27, 3pm on your calendar for our annual
membership meeting. We will have a more detailed review of the last fiscal year
and our plans for what’s in store through May of 2009. I would love to see you
there and meet you in person!
Make sure to review the “Calendar of
Events” section of this and future newsletters for upcoming programs,
lectures, cooking classes, sweater exchange, films, and presentations for which
you must join us. Here’s to a great year at the SCC! ~~~ Hilsen, Lisa
Marie
Welcome to our Newest Member
Kathleen Watness (Tacoma, WA)
Danish Author—Reading and Book
Signing
Peter H. Fogtdal (right), author of The Tsar’s Dwarf, will do a book
reading and signing at the Garfield Book Company at PLU (on the corner of South
Garfield Street and Pacific Avenue) on Wednesday, October 22, at 6pm. Mr. Fogtdal’s visit to PLU is in
connection with Dr. Troy Storfjell’s Scandinavian Area Studies course entitled
“Modernity and Its Discontents.”
Due out November 2008, the book tells the
story of Søerine, a female dwarf from Denmark, who is given as a gift to the
Russian Tsar, Peter the Great, during his visit to Copenhagen. Søerine travels
to St. Petersburg
where she becomes a jester at the Tsar’s functions. She enjoys her new life and
falls in love with the Tsar’s favorite dwarf, but disaster strikes in the shape
of a priest who wants to “save” her.
Peter H. Fogtdal was born in Copenhagen, Denmark
(1956), and has a degree in playwriting from Cal State Fullerton. He is the
author of twelve novels. You can read more about Peter and his book at the
publisher’s website: <http://www.hawthornebooks.com/catalogue>.
Harstad Descendents Donate Century-Old Folkdrakt
to SCC Artifact Collection
In the last issue of the Scandinavian
Scene, we announced that we were anxiously awaiting the addition of a
Setesdal folkdrakt (folk costume) to our Permanent Artifact Collection.
The Setesdal costume has the oldest history when talking about traditional
Norwegian folk wear. Its history dates back to the 1700's and it has the most
Spanish influence of all traditional costumes. The piece comes to us from Grace
Harstad, granddaughter of Rev. Bjug Harstad, founder of PacificLutheranUniversity. Itwas
purchased in the early 1940s by his daughters Lydia
and Louise in Valle, Setesdal,
Norway (Rev.
Harstad’s birthplace). The provenance provided by Grace Harstad indicates that
the costume was not new at the time of purchase. Upon close examination, SCC
Textile Curator Linda Caspersen Andresen (pictured right) concludes that the
costume is a turn-of-the-century piece, making it at least 100 years old!
“What signifies the age of this folkdrakt
is the crimped panel in the back,” says Caspersen. “When you hold it up
to the light, you can see the tiny pin holes, indicting that the crimped effect
was done by hand. This back panel began with a piece of hand woven, white or
natural sheep-color wool, which was hand sewn with tiny stitches to gather it
together. This process resulted in the original piece of hand woven wool
becoming quite small when completed. It was then naturally-dyed in an iron pot
over a fire pit, commonly done in the woods due to the availability of dark
brown/black tree bark. The crimped piece of cloth was probably repeatedly
rinsed in a nearby stream until the water that ran through it was clear. The
cloth was then wound around a drum cylinder to “dry and set.” It stayed in this
position for at least a year. When it was removed from the drum, the stitches
were removed and the piece was attached to the rest of the over stakk
(skirt/jumper). The white under skirt is flat and does not undergo the crimping
process. It can be worn alone as a working outfit. The black outer layer is
never worn without the white one underneath and is worn for more formal
occasions like church services.” A complete Setesdal costume would include a
shirt, jacket, belt, and scarf.
Scandinavian Area Studies Program
The Importance of Studying Culture and Identity
In the final days of summer, as I geared
up for another school year and prepared to assumed the position as Chair of the
Scandinavian Area Studies Program after Claudia Berguson’s three-year term of
very capable and dedicated leadership, two minor news items caught my attention
and stressed the importance of what we are trying to do in our Norwegian and Scandinavian
courses here at PLU.
The first was a brief item about a labor
dispute in Van Wert, Ohio, where the Norwegian owners of
Kongsberg Automotive (KA) have locked out members of United Steel Workers,
trying to force a forty percent cut in wages and benefits. To keep the Ohio factory running
during the dispute, KA brought in non-union, temporary workers (or what my
father used to refer to as “scabs”).
What made this story particularly
interesting was not that Norwegian factory owners were involved in a labor
dispute with their workers—there’s hardly anything unusual about that. The
thing that caught my attention was a little quote by labor leader Arve Bakke of
the Norwegian United Federation of Trade Unions (Fellesforbundet). His
organization had invited USW local leaders to Norway for meetings with
Kongsberg’s CEO Olav Volldal, hoping to alleviate things. Apparently Bakke
expected the Norwegian corporate leaders to behave the same way in America as they would in Norway, where
it is illegal to lock out workers or employ temporary, non-union labor during a
dispute.
“From American owners we can’t expect
anything better; they will follow American tradition and legislation,” Bakke
fumed to the Norwegian newspaper Klassekampen. “But I expect more from
Norwegian owners.”
The second item that caught my attention
was a commentary by National Public Radio’s Scott Simon in which he raised
questions about a North Carolina woman who,
due to new federal regulations, had to travel to Denmark in order to procure semen
from a Danish sperm bank. Importing semen from Europe
is now prohibited, but this woman wanted an all-Scandinavian sibling for the
“beautiful Viking baby” she already has, thanks to an earlier contribution from
the same Danish bank.
In his commentary, Simon questioned why a
baby had to have only Scandinavian genes in order to share its mother’s
interest in Scandinavian culture, and wondered if blood lines really have
anything to do with what makes children special.
Both of these stories highlight understandings
of Scandinavian identity that could benefit from a course of study at PLU,
where part of what we explore in our classrooms is the nature of culture
itself, and how it is more of a framework within which people can communicate,
rather than a list of shared traits or values. Norwegian factory owners aren’t
automatically pro-labor simply because they’re Norwegian.
We also involve students in unraveling the
alleged connection between biology and ethnic identity, doing our best to lay
to rest the ghosts of the so-called ‘science’ of race that flourished prior to
the Second World War. Our students discover that culture and tradition are
socially constructed, not inherited; that there is no “pure” or “essential” way
of being Scandinavian. Hearing these two news items reinforced for me the
importance of what we’re doing here, which is probably a good frame of mind for
heading into a new school year.
Best wishes to all of you.
Troy Storfjell, Chair, Scandinavian Area Studies Program
Calendar
of Events
Exhibits
«Colors of the
North—Pastel and Fiber - Exhibition and
Sales
September —November (Exact dates to be determined)
Meet the Artists
Reception—Sunday, October 19, 2pm - Free Admission
Public Hours—Free Admission
Sundays, 1-4 pm; Tuesdays/Wednesdays, 11am-3pm
Major
Events
Membership Meeting,September 27, 3pm
The Annual
Membership Meeting is just around the corner. Long-time member and volunteer
Esther
Hinschberger
will receive
the
2008
Outstanding Service Award
in recognition of her selfless giving of
time, talent, and effort. The evening will come to a close with the grand door
prize drawing. One fortunate SCC member will receive two roundtrip tickets to Scandinavia, donated by Scandinavian Airlines.
For
information, contact Susan Young
<youngse@plu.edu>
«Scandinavian Heritage
Fest, Friday/Saturday/Sunday, October 3-5
Contact: Desiree Omdal, 425.881.1544 or <desireeomdal@hotmail.com>
(See P. 2 for more info.)
«Fiber Arts—Every Fiber of
Our Being Exhibit, Saturday,
October 4, 10am-4pm
Contact: Carolyn Wiley, Events Chair, 253.884.9157 or 253.884.6022 (See P. 2
for more info.)
Classes
«Scandinavian Cooking
Classes, 10am-1pm, $5 Per Class
Norwegian—Tuesday, October 7;
Saturday, October 18; and Thursday, October 23
Swedish—Wednesday, October 15
Danish—Saturday, October 25
Contact: Kathrina Jaech, 253.584.2690 or <LydiaJay@hotmail.com>
«Intermediate Norwegian
Language Classes, Mondays,
6-9pm
«Beginning Norwegian
Language Classes,Tuesdays, 6-9pm
Contact: Audun Toven 253.536.8392 or <tovenat@plu.edu>
Meetings
«Danish Sisterhood,September 3, October 1, 9:30am, 253.843.2249
«Danish Sangaften, September (No meeting in SCC), October 19,
6 pm, 253.984.6700
«Executive Board, September 10, October 8, 4:45pm, UC 212
«SCC Council, September 10, October 8, 5:30pm, SCC
Getting to Know Members of the
Scandinavian Cultural Center
Council
Gunnulf Myrbo
Immediate Past President
Gunnulf Myrbo was born in
Norway and emigrated to Canada
with his family when he was fourteen years old. He received his degrees in
Philosophy at the University of British Columbia and Cambridge
University, England,
before coming to PacificLutheranUniversity
in 1970. At PLU he taught Philosophy for more than thirty years before fully
retiring in 2004. Throughout his years at PLU, he was very much involved with
Scandinavian studies and matters pertaining to Scandinavian culture and
heritage. He was the first Coordinator (Chair) of the Scandinavian Area Studies
Program (1978-80 and 1983-85) as well as the first editor of the Scandinavian
Scene newsletter. Gunnulf served as President of the Scandinavian Cultural
Center Council for two years. Currently retired in Anacortes, Washington,
he continues to cheerfully make the two hour plus drive to PLU to serve on the
Executive Board and Cultural Council, and to participate in other activities
sponsored by the SCCC.