2014 PLU Guitar Festival
Saturday, March 15, 2014
Pacific Lutheran University, Tacoma, WA
Elizabeth Brown & Stephen Howland, Directors
Julie DeCamp, Administrative Assistant
Pacific Lutheran University is pleased to announce their fourth annual Guitar Festival, featuring PLU guitar faculty members Elizabeth CD Brown and Dr. Stephen Howland alongside guests Eric Jaeger “El Comanche,” Matthew Anderson, Bill Clements, Marco De Carvalho, Nate Omdal and Gordy Ryan. Designed for guitar enthusiasts of all levels, the PLU Guitar Festival will feature a full day of hands on workshops, concerts and a Guitar Listening Session. Festival participants will have the opportunity to perform with the Festival Guitar Orchestra, with music available in advance. All events take place at Pacific Lutheran University, in the Mary Baker Russell Music Center, with concerts held in the exquisite Lagerquist Concert Hall.
All-inclusive price: $60 (General), $40 (Senior) and $30 (Students, Grade 6+) To register call the PLU Music Office at 253-535-7602 by Friday, March 14, 3:30pm. We will also accept walk-up registrations on Saturday morning, registration opens at 9:30 am.
Thanks to the D’Addario Music Foundation festival participants will receive a set of guitar strings—first come, first served!
See the tabs below for more information.
Elizabeth CD Brown
A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer throughout the Pacific Northwest, giving an average of 50 concerts a year. Highlights from recent seasons included solo lute and baroque guitar recitals at Early Music Festivals in Berkeley and Cleveland, performing as the soloist in Vivaldi's "Concerto in D," and a 10 performance run of Monteverdi's Ulysses in Seattle and San Francisco. She has performed in operas by Purcell, Blow, Paisiello, Rossini and Verdi, as well as all of Monteverdi's surviving operatic works. Elizabeth's first solo recording, La Folia de España: Dances for Guitar, features works for baroque, 19th century, and modern guitars, and has been praised for its "...apparently effortless ease." (Lute News, UK) She is also featured in the recording Dolce Desio as a member of the early music trio Le Nuove Musiche, and in the recording Navidad: Christmas in the New World with Seattle Pro Musica. She has just released her second solo recording, In Her Honor, which includes music from the Princess [Queen] Anne Guitarbook and the Elisabeth of Hesse Lutebook, as well as her own arrangements of works by Elisabeth Jacquet de la Guerre. An enthusiastic advocate for the guitar and lute, Elizabeth has given numerous outreach performances at schools, senior centers, and community centers for the Seattle Classic Guitar Society and the Early Music Guild, as well as by arrangement while on tour. She is head of the Guitar and Lute program at Pacific Lutheran University, has taught at Seattle Pacific University, and is on the faculty of the Accademia d'Amore (baroque opera workshop, Seattle). See her on YouTube at www.youtube.com/user/ElizabethCDBrown or for more information visit: www.elizabethcdbrown.com
Stephen Howland is a native of Walla Walla, Washington. He has a diverse professional background, playing solo classical and flamenco guitar and performing in nightclub bands; jazz trios, combos, and big bands; and a wide variety of classical and early music ensembles. He has been a featured guitarist-composer in new music festivals and a visiting concert artist and clinician at universities, colleges, and guitar societies throughout the West. He has been featured on recordings as a jazz soloist with big band, classical and early music chamber musician, solo guitarist in various styles, and writer and studio guitarist for independent artists and bands, including the Seattle based band Motopony. Howland earned his Doctor of Musical Arts in Performance from Arizona State University, Master of Music from ASU, and Bachelor of Music from the University of Idaho. He received the highest marks and many academic honors and awards, including a teaching assistantship at ASU, the Presser Award, and the Eleanor Mader Memorial String Award. Howland currently teaches both jazz and classical guitar at Pacific Lutheran University and the Rosewood Guitar in Seattle. He Performs Classical, solo Flamenco, and original Jazz with some of the best Jazz talent in the Seattle area, including Nate Omdal, Adam Kessler, Jason Parker, Courtney Fortune, among others. www.stephenhowland.com
Eric Jaeger "El Comanche"
A NW native, Eric has been a professional musician and teacher all his adult life. He lived and studied flamenco extensively in Andalucía, Spain. His education went much beyond the guitar as his most influential teacher Martín Chico of the famous gypsy flamenco family los Revuelos opened him to the world and life of a Gipsy flamenco artist, and studied intensively the accompaniment of dance and voice. Other teachers include Manuel de la Luz (Eva La Yerbabuena), Jesús Alvarez, Jose Manuel Tudela, and Antonio Rey. His hands on teaching style gives students the chance to learn the true essence of flamenco, while breaking down the technique and rhythm in a way that is easy to assimilate.
Eric works with his wife, the Barcelona born dancer/vocalist/guitarist, Encarnación; both as a duet and with their highly successfull ensemble “Flamenco de Raiz”, bringing top level flamenco artists directly from Spain such as Rafael de Utrera(of Paco de Lucia fame), Sergio Martinez, and many others. FDR released a live CD in 2010 from their sold out concerts at Kirkland Performance Center featuring Rafael.
Eric was the lead guitarist and co-founder/producer of the world music super group "Children of the Revolution", who fused flamenco, latin, middle-eastern and rock influences. COTR has produced 6 CDs to date, is featured on Putumayo's "Greece" and "Swing around the World" CDs. COTR packed theaters all over the Seattle area, including Meany Hall, the Paramount Theater, and Benaroya Hall, and The Triple Door as well as touring around the world in major festivals and theater series including headlining Quebec's prestigious "World Guitar festival" with Manuel Barrueco.
Eric returns to Spain every year with Encarnación to stay immersed in the art of flamenco, and more importantly, to live and breathe the flamenco culture with their friends and family in Sevilla and Barcelona.
Eric is proud to endorse D'Addario strings and Shubb capos. Watch Eric at: http://www.youtube.com/watch?feature=player_embedded&v=JEMAN9r-V18
Northwest native Matthew Anderson is a graduate from the Guitar Performance Program at Cornish College of the Arts. Matthew's concert experience includes solo, duo and ensemble performances. Soloist at St. James Cathedral 1997-2007, guitarist in the rock band The Endeavors 2007-2010, Matthew is currently combining his love of brazilian music and percussion in the group Cathedral of Trees which performs works by Egberto Gismonti, Paulo Bellinati, and Seattle composer Kevin Callahan. He premiered Callahan's The Fourth Stream in 2011. Since 1990, Matthew has enjoyed teaching at the Rosewood Guitar, where he pretty much lives, when he's not at home gardening, or, as you guessed it, practicing guitar!
Bill Clements is the owner of Seattle’s Rosewood Guitar store specializing in classical and flamenco guitars. He has served on the board of the Seattle Classic Guitar Society for over 20 years and is the founder of the Seattle Classic Guitar Society’s International Concert Series. As a dealer in fine classical and flamenco guitars, Bill has bought, sold and collected hundreds of fine instruments from luthiers around the world.
To register call the PLU Music Office at 253-535-7602 by Friday, March 14, 3:30pm. We will also accept walk-up registrations on Saturday morning, registration opens at 9:30 am.
All-inclusive price: $60 (General), $40 (Senior) and $30 (Students, Grade 6+)
Thanks to the D’Addario Music Foundation festival participants will receive a set of guitar strings—first come, first served! We have nylon (classical) strings, acoustic steel strings and electric guitar strings, please indicate your choice on your registration form.
2014 PLU Guitar Festival Schedule
All events take place in the Mary Baker Russell Music Center
9:30 am – Registration Opens (Lobby)
10:00 am – Brief Welcome and Introduction (Room 306)
10:10 am – Build Your Own Exercises, Leo Brouwer's "Estudios Sencillos," Elizabeth CD Brown (Room 306)
Have you ever been stuck in a piece that you can almost play well? Sometimes creating an exercise that targets the technical or musical issues of a piece can get you past that wall. In this workshop we will use exercises based on Leo Brouwer's seminal "Estudios Sencillos" to explore this idea of music tailored exercises.
10:10 am - Beginning Rhythm Guitar Workshop, Stephen Howland (Room 322)
Are you interested in creating your own accompaniments to songs, playing in a Jazz Big Band or small combo, adding jazzy touches to your own style of playing, or improving your ability to play a variety of rhythms? This workshop will simplify and introduce the basics of playing rhythm guitar in several common jazz idioms including swing, shuffle, Bebop, and Latin, without any complicated theory.
11:00 am – Guitar Orchestra Rehearsal, Elizabeth CD Brown (Lagerquist Concert Hall)
PLU Guitar Festival Orchestra rehearsal. Please note that this will include everything from easy to advanced intermediate parts. See the Perform page for more information.
11:00 am – Intermediate/Advanced Rhythm Guitar Workshop, Stephen Howland (Room 322)
This workshop will focus on ways to add colors and interesting harmonic and melodic motion in your rhythm guitar playing by looking at common practices used by all the great Jazz guitar players. Many of these practices don't even require mastering basic theory skills, some do.
11:45 pm – Lunch Break
1:00 pm – Guitar Listening Session, Bill Clements (moderator) & Matthew Anderson (performer) (Room 306)
Matthew Anderson plays selections by Villa-Lobos, Gismonti, Bellinati, Assad and Callahan, featuring instruments from the collection of Bill Clements and the Rosewood Guitar.
2:00 pm – Guitar Ensemble & Orchestra Concert, Elizabeth CD Brown, Festival Participants (Lagerquist Concert Hall)
See the Perform page for more information. This event is free and open to public and will be streamed live by the PLU School of Arts and Communications.
3:15 pm – Flamenco Workshop, Eric Jaeger "El Comanche", (Room 306)
A crash course in the art of flamenco guitar. Eric's hands on approach will lead students through proper posture and biomechanics (creating freedom of movement) and various flamenco guitar techniques. Eric will include an outline on flamenco theory as well as a strong emphasis on compás (a strong sense of rhythm in various flamenco forms).
5:00 pm – Elizabeth CD Brown, Stephen Howland & Friends Faculty Concert (Lagerquist Concert Hall)
Elizabeth CD Brown, Stephen Howland, and guest performers Marco De Carvalho (guitar), Nate Omdal (bass) and Gordy Ryan (percussion) present a three-part performance of classical guitar solos and duos, and original works for latin jazz ensemble. Featuring works by Bach, Kavanagh, Tchaikovsky, Pixinguinha, Howland and De Carvalho. Admission is included in the Festival Registration, or tickets may be purchased separately. Mary Baker Russell Music Center: Lagerquist Concert Hall. Tickets: $8-general, $5-senior, $3-alumni, complimentary-18 and under. This event is open to the public and will be streamed live by the PLU School of Arts and Communications.
Perform at the PLU Guitar Festival
All festival participants will have the opportunity to perform in the Festival Guitar Orchestra, which will rehearse at the festival and perform in the afternoon concert, which is free and open to the public. We will be playing "Tango" by Isaac Albéniz in a 4-part arrangement, which includes both fairly difficult and beginner parts. Sheet music in both standard notation and tab is available below, as well as a recording for practice purposes.
New in 2014 – Ensembles Also Invited to Perform!
Pre-existing guitar orchestras and guitar ensembles (2+ performers) that have a prepared piece are also invited to perform in the afternoon guitar ensemble concert. All performers should be registered participants in the PLU Guitar Festival. Please contact festival director Elizabeth CD Brown at firstname.lastname@example.org if you have a group interested in performing. Please note that proposed program information for performing ensembles is due to Elizabeth CD Brown at email@example.com by February 26, 2014.
"Tango" by Isaac Albéniz
Full Score A full score containing all 4 parts
Guitar 1 Part Guitar 1 part in standard and tab notation. Contains notes in high positions (7th through 13th), frequest accidentals and ornaments.
Guitar 2 Part Guitar 2 part in standard and tab notation. Contains notes in higher position (2nd through 7th), some accidentals and pull-offs.
Guitar 3 Part Guitar 3 part in standard and tab notation. Contains notes in first position on the top 5 strings, a few accidentals and hammer-ons.
Guitar 4 and Bass Guitar Part Guitar 4 and Bass Guitar part (playable by either standard guitar or bass guitar) in standard and tab notation. Contains notes in first position on the lowest 4 strings and a few accidentals.
Tango Recording Sibelius generated recording which is slightly slower for practice purposes.
2014 PLU Guitar Festival Guest Artists
Marco De Cavalho
Marco De Carvalho is a Brazilian musician, originally from Rio de Janeiro. He graduated from the prestigious Music Conservatory of Rio de Janeiro under Juarez Carvalho and Sergio Vale. He studied composition and harmony under Luiz Eca and Ronaldo Miranda. Marco began playing guitar at the age of 14 and played in clubs, universities, and festivals throughout Brazil, USA and Europe. Marco has been a performance guitarist, composer and arranger for twenty-five years. He plays an extensive repertoire of music from Rio de Janeiro as well as his own compositions. Marco has played with many musicians in Brazil and the USA. He has recorded on numerous CDs and sound tracks also producing and arranging. Marco has played at a number of Seattle performance venues and events and theatres including: Jazz Alley, Triple Door, Bumbershoot, Governor’s Mansion, Northwest Guitar Festival, Benaroya Hall, Ballard Jazz Festival, Teatro Zinzanni, Mondello, Miyabi, Argosy Cruises and many others as well in other states of U.S. Marco has recorded three original CDs: Paisagens (out of print), For the Moment (released on OA2 Records), and Cancoes (out of print). http://www.marcodecarvalho.com
Gordy Ryan’s training included African music and dance at the Olatunji Center for African Culture on125th St. in Harlem, classical studies at Manhattan School of Music, and Jazz studies at Sounds of Joy in N.Y.C. He has worked as a recording artist for albums, jingles, and film scores with players such as Olatunji, Santana, David Sanborn, Abbey Lincoln, Airto, Planet Drum, Gabrielle Roth and many more. He toured the world with The Olatunji Drums of Passion for over 2 decades and brings his deep knowlege of African music, jazz , and funk to the master classes he leads at many locations in North America and Europe. He carries on with passion the tradition of ‘generation passdown’ which was a focal point in the work of Babatunde Olatunji- to light the internal fire, inspire, and train those who will follow in our footsteps as creative musicians. http://www.obatheband.com
Nate Omdal is one of the most in-demand bassists in the Seattle area. He studied jazz performance and composition at Cornish College of the Arts. After Cornish Nate has continued to live and work in Seattle, performing in various groups for many of Seattle’s fine public and private events. In 2007 he co-founded an independent record label to support new and emerging northwest artists. In February of 2010, Nate as awarded a smART Ventures grant from the Seattle Mayors Office of Film and Music to produce a concert featuring the music of film composer Ennio Morricone. (The Good, the Bad and the Ugly, The Untouchables) Most recently Nate co-founded a non-profit (501-C3) with the Seattle-based arts management company Shunpike, to help commission new jazz compositions and collaborations.