SAVE THE DATE: Tuesday, March 23, 2027!
Applications will open and guest artist will be announced on September 28, 2026

PLU Weathermon Jazz Festival

March 23, 2027

Eastvold Auditorium - Karen Hille Phillips Center | Cassio Vianna, Director

The PLU School of Music, Theatre & Dance invites High School Jazz Bands to register for our PLU Weathermon Jazz Festival. The festival is sponsored by the Pacific Lutheran University School of Music, Theatre & Dance and the Dick and Helen Weathermon Joyful Noise Endowment for Jazz Studies. A non-competitive music event, this festival aims to provide helpful feedback to jazz ensembles and band directors; to inspire the next generations of jazz musicians through professional concerts, clinics, and masterclasses; and to build connections in the jazz community within our region and beyond.

Festival Highlights:

  • Performance/clinic: Each school band will perform and receive a 30-minute clinic from two professional jazz educators following their performance on stage
  • Midday Concert:  The PLU Jazz Ensemble will perform a short concert with PLU’s guest artist
  • Artist Talk/Q&A: Q&A session with guest artist
  • Registration fee: $250 Please note that no refunds will be allowed after event registration has been completed.
  • Evening Concert: A full performance with the PLU Jazz Ensemble (7:30pm)

Important Dates:

  • Application Form: Monday, September 28, 2026 at 8 am — Friday, October 23, 2026 at 11:59 pm
  • Registration Form:  Monday, November 2, 2026 at 8 am — Friday, January 15, 2027 at 11:59 pm
  • Payment Deadline: Friday, January 15, 2027 at 11:59 pm

Purchase your tickets here

Tickets are available online ahead of the concert, or at the door. No refunds.

About the Festival                   About the Concert

GUEST ARTIST

The 2027 guest artist will be announced soon!

CLINICIANS

Heather Chriscaden grew up in the Pacific Northwest, where her early influences included lessons with jazz greats Ray Brown and John Clayton. She received a BM in Double Bass Performance from WSU and was the first recipient of the University of Oregon’s Master of Music in Jazz Studies. She has performed various styles of music all over the world: jazz ensembles from Seattle to New York and Colombia to Japan; orchestra and chamber groups across the country; and klezmer performances from Krakow, Poland to Leonard Nimoy’s synagogue series in California.

As an educator, Heather has taught private lessons for ages 3-85, and was a tenured instructor of music theory and ear training at Edmonds Community College. She has been on the faculty of music camps around the country and was an assistant director for both the Frank DeMiero Jazz Camp in WA and the Stokes Forest Music Camp in NJ. She also taught low strings for the New York Pops Musical Mentors and was a rhythm section coach for the Grammy in the Schools Program.

After spending 16 years in New York, Heather returned to the Pacific Northwest, where she currently teaches private lessons and performs regularly with Greg Williamson, The Pony-Boy All-Star Big Band, Brushes and Bass, Danny Kolke, Ann Reynolds, Tobi Stone, Jay Thomas, Brent Jensen, and more. She has been featured in Earshot Jazz magazine, and is in demand as a mentor for KNKX School of Jazz. Her latest recordings include The Pony Boy All-Star Big Band: This Is Now, and Brushes & Bass Vol. 1: In a Mellow Tone (Volume 2 coming soon!).

Jared Sessink is the Co-Director of Instrumental Music at Garfield High School, in Seattle, WA. He oversees the collaborative work of all Wind Band, Jazz, and Orchestral Ensembles. Sessink has over a decade of experience teaching in the Central District, both at Washington Middle School and now at Garfield.

Sessink’s teaching philosophy is centered in student voice and ownership in the learning process. He sets high expectations for students and supports them through the journey of achieving excellence in musical performance.

Under his leadership, Garfield has been a frequent participant in the Essentially Ellington Jazz Competition and Festival held in New York City, considered one of the most competitive high school jazz festivals in the nation. Many of his students have gone on to become educators and musicians, at institutions ranging from Berklee School of Music, San Francisco Conservatory of Music, New England Conservatory, Columbia University, Manhattan School of Music, and more.

Sessink regularly plays his trumpet in the Magnolia Big Band in Seattle. On Monday evenings, he is the Director of the North Seattle Community College Symphonic Band working with adults of all ages.

Pianist and composer Nelda Swiggett has been a vibrant force in the Pacific Northwest jazz scene since the early 1990s. Her compositions blend jazz with Afro-Cuban, gospel and classical influences, creating a distinctive and‬ engaging sound. Swiggett’s ensembles, including her trio, quintet, and sextet, have graced stages at Dimitriou’s‬‭ Jazz Alley, Bumbershoot, and the Earshot Jazz Festival. She is an award-winning composer and OA2 recording‬ artist. Her five album releases have received rave reviews and extensive airplay around the globe.‬ Nelda’s big band arrangements of her original music have been performed by Seattle’s nationally recognized Garfield High School Jazz Band, the Seattle Women’s Jazz Orchestra, and others. Nelda currently co-leads Clif & Nelda’s Little Big Band with her trombonist husband, Clif Swiggett; composes for the Megabopolis sextet; and performs “For the Birds” — live music, images and poetry invite reflection on our changing climate — with the Nelda Swiggett Quintet. She is also in demand as a solo pianist, side woman and jazz educator.

Cliff Colón emerges as a luminous figure among Pacific Northwest tenor saxophonists. Over two decades, he has risen as a leader in the field, captivating audiences with innovative solos, making him a highly sought-after sideman and studio musician.

Rooted in the dynamic music scene of greater Seattle, Colón’s journey began in Tacoma, Washington, where his fervor for jazz took flight. Early on, his musical roots intertwined with gospel and soul, shaping his distinct style. In his 20s, he became a fixture in Seattle’s jazz and fusion scene, later expanding his repertoire to include R&B and 1970s funk, enriching his musical palette. Today, Colón is celebrated as a versatile musician, excelling as a band leader, studio recording artist, and producer.

For Questions:

Dr. Cassio Vianna, Associate Professor of Music; Director of Jazz Studies
School of Music, Theatre & Dance; Pacific Lutheran University
(253) 535-7760 e-mail: cassio.vianna@plu.edu

Abby Deskins, Coordinator of Educational Outreach Programs
College of Professional Studies; Pacific Lutheran University
(253) 535-7877 e-mail: adeskins@plu.edu