PLU Guitar Festival

February 28, 2026

Mary Baker Russell Music Center | Elizabeth C.D. Brown, Director

The festival will feature hands on Classical and Jazz guitar workshops, lectures and concerts with PLU guitar faculty Elizabeth C.D. Brown alongside guests Jamie Findlay and Mario Diaz. Festival participants will have the opportunity to rehearse and perform in the Festival Guitar Orchestras, with music available in advance. All events take place at Pacific Lutheran University, in the Mary Baker Russell Music Center, with rehearsals and concerts held in the exquisite Lagerquist Concert Hall. The 2026 PLU Guitar Festival is supported in part by the Seattle Classic Guitar Society the Seattle Jazz Guitar Society, and the Rosewood Guitar.

Registration Costs:

Preferred deadline for Registration is Monday, February 23, 2026.

Be sure to register in advance. Please note we are unable to take registration and payment information at the festival.

  • General ($60)
  • Senior ($50)
  • Grade 6 and Older Student ($30)
  • PLU Student ($10)

Active members of the Seattle Classic Guitar Society and/or the Seattle Jazz Guitar Society will receive a $10 registration discount.

Please note that no refunds will be allowed after event registration has been completed.

Teachers who are Registering School Groups, please contact Elizabeth or Abby. Additional registration discounts for groups!

Performing in Guitar Orchestras:

All registrants are strongly encouraged to participate in the Festival Guitar Orchestras, from beginning students to professionals. This is a great opportunity to have fun, meet fellow guitarists and enjoy the camaraderie that is such an enduring element of the PLU Guitar Festival. Participants are welcome to practice in advance (see below for sheet music and practice recordings), or just grab some music and play along!

In addition to performing in the Festival Guitar Orchestra, pre-existing ensembles (2 or more) also have the opportunity to perform in the 2:00pm Guitar Ensemble concert.  Our faculty will also provide written feedback for these ensembles! If you have an ensemble interested in this opportunity please contact Elizabeth Brown no later than Friday, February 13.

Guitar Orchestra Music I

We are excited to play two short pieces originally for organ by the black American composer Florence Price, arranged for guitar ensemble by Storm Tucker. Parts vary in difficulty—Guitar 3 and 4 are the most beginner friendly, though Guitar 4 requires tuning the sixth string down to a low D. Feel free to pick the part that suits you best. Sheet music for all 4 parts, the full score and practice tracks are below!

Adoration Guitar Quartet – Score

Cantilena Guitar Quartet – Score

Adoration Cantilena – Guitar 1

Adoration Cantilena – Guitar 2

Adoration Cantilena – Guitar 3

Adoration Cantilena – Guitar 4

Guitar Orchestra Music II

We are excited to play this fun, classic arranged for guitar ensemble by our guest Jazz Faculty Jamie Findlay. Parts vary in difficulty and style, please pick the part that suits you best. Guitar 1 has the main melody and is the highest part, Guitar 2 is also a single line which harmonizes below the Guitar 1 line. Guitar 3 and 4 are rhythmic chord parts (written out in notes and chord symbols!) and Guitar 5 is that all important bass line. All parts work well with a pick OR finger style–do what works for you. Sheet music for all 5 parts, the full score and practice track are below!

Jazz Orchestra – Guitar 1

Jazz Orchestra – Guitar 2

Jazz Orchestra – Guitar 3

Jazz Orchestra – Guitar 4

Jazz Orchestra – Guitar 5

Jazz Orchestra – Score

Schedule:

  • Noon – Registration Open, Mary Baker Russell (MBR) Music Center Lobby
    • Come pick up your packet with schedule, workshop handouts, concert tickets, etc. The MBR lobby is right outside the Lagerquist Concert Hall on the 3rd floor, which is the main floor of the building.
  • 12:30 pm – Festival Guitar Orchestra Rehearsals, Lagerquist Concert Hall
    • Guitar Orchestra rehearsals for the afternoon concert. Participants are welcome to practice in advance (see “Perform in Guitar Orchestras” for sheet music and practice recordings), or just grab some music and play along!
  • 2:00 pm – Guitar Ensembles and Orchestra Concert, Lagerquist Concert Hall
    • Various ensembles perform, including the PLU Guitar Orchestra and Ensemble and the Festival Guitar Orchestra. This performance is open the public, both in-person and via livestream.
    • In addition to performing in the Festival Guitar Orchestra, pre-existing ensembles (2 or more) also have the opportunity to perform in the 2:00pm Guitar Ensemble concert. We will also provide written feedback for these ensembles! If you have an ensemble interested in this opportunity please contact Elizabeth Brown no later than Friday, February 13.
  • 3:30 pm – Workshop with Jamie Findlay, MBR 322: Totally Nailing Your Diatonic 7th Chords
    • In this hands-on workshop Jamie explains how to practice all of the Basic 7th Chords in the “CAGED” system in order to facilitate taking your playing to the next level. You will walk away with a great new outlook and ability with your Diatonic 7th chords.
  • 4:30 pm – Workshop with Mario Diaz, MBR 306: Afro-Peruvian Traditions and Technique for Guitar
    • This hands-on workshop explores Afro-Peruvian rhythmic traditions through the lens of guitar performance. Participants will engage with essential rasgueado techniques, bass line patterns, and right-hand coordination drawn from landófestejo, and marinera. Emphasis is placed on rhythmic structure, stylistic awareness, and practical application in both solo and ensemble contexts. Guitarists are encouraged to bring their instruments and actively participate, with opportunities for guided demonstration and collaborative learning.
  • 5:30 pm – PLU Guitar Festival Faculty Concert, Lagerquist Concert Hall
    • PLU guitar faculty member Elizabeth CD Brown performs alongside guests Jamie Findlay and Mario Diaz. This performance is free and open the public, both in-person and via livestream.

Enjoy listening to a video of the 2022 PLU Guitar Festival orchestra!

Guest Faculty:

Originally from Seattle, Washington, Jamie is one of the masters of contemporary acoustic guitar. With three CD’s under his own name, “Wings of Light,” “Amigos del Corazón,’ and “Reflections” Jamie is a very busy performer and composer, both in the States and abroad. His music is flavored by many styles from jazz and blues to pop and funk. More recently, Jamie has helped form the Acoustic Jazz Quartet, an L.A. based jazz band that features Jamie’s compositions. Their first Naxos Jazz release was distributed worldwide in April, ’99, and a second Acoustic Jazz Quartet “Organic” released in 2001. In 2002 Jamie formed a guitar duo with Duck Baker, and the pair recorded an adventurous and critically acclaimed record of jazz guitar duos titled “Out of the Past”. Jamie continues to perform solo as well.

He has three DVD’s published, two instructional DVD’s out with Hal Leonard Publishing, “Acoustic Fingerpicking” and “Acoustic Guitar Soloing,” and one concert DVD from the “Open Strings” Festival from Osnabrück, Germany, distributed in the states by Mel Bay. He’s written eight books; one featuring his own compositions from the Acoustic Music Records “Amigos del Corazón,” a book of fingerstyle arrangements of jazz standards, a book on harmonic technique, one on Chord Shapes for Hal Leonard, and a series of arrangement books for Solo Guitar; Miles Davis, Standards, Broadway, and Christmas Classics, and was part of the faculty of Musicians Institute in Hollywood for over 30 years, and USC for 7 years. He now teaches at Skagit Valley College in Mt. Vernon WA, and privately in Bellevue and La Conner, his hometown.

Jamie has contributed to several guitar magazines throughout the world. At the Summer NAMM show in Nashville, he was the host for Acoustic Guitar Magazine’s “Acoustic Magic” event at Cafe Milano, and he’s been featured in Chitarre, Italy’s premier guitar magazine as well as Acoustic Guitar in Germany and the US. Jamie is currently preparing material for three new solo records, one on material from the Beatles, one on “Folk Remedies”, and one featuring original material. Since the 80’s, an impressive personal career has been developed, with travel and performance throughout almost all parts of the United States, as well as to Asia and Central America, Brazil, and eight tours of Europe.

Mario Díaz is a Portland-based multi-instrumentalist, guitarist, and educator whose work bridges classical training with a wide range of musical traditions. He has performed and collaborated throughout the United States and South America and is currently on the faculties of Reed College and Portland State University, where he directs the PSU Guitar Program.

As a performer and recording artist, Díaz has worked with an eclectic range of musicians and organizations, including Grammy award winning artists Dave Eggar, Antonio Rey and Trey Hensley. Prior to his current focus on performance and education, he engineered and mastered hundreds of recordings for both independent artists and commercial projects, an experience that continues to inform his musical perspective.

Díaz studied at Portland State University and the San Francisco Conservatory of Music. His performances and teaching emphasize rhythm, storytelling, and stylistic fluency, drawing connections between classical guitar and global musical traditions in a way that is both rigorous and engaging.

See Mario on YouTube

PLU Faculty Artist & Festival Director:

Elizabeth C. D. Brown - Senior Lecturer

A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer throughout the Pacific Northwest, giving an average of 50 concerts a year. Highlights from recent seasons included solo lute and baroque guitar recitals at Early Music Festivals in Berkeley and Cleveland, performing as the soloist in Vivaldi’s “Concerto in D,” and a 10 performance run of Monteverdi’s Ulysses in Seattle and San Francisco. Elizabeth’s first solo recording, La Folia de España: Dances for Guitar, features works for baroque, 19th century, and modern guitars. Also active as an ensemble musician, she is a member of Baroque Northwest, La Lira, the Puget Sound Consort and Ayres and Graces, and has appeared in the Early Music Guild’s three baroque opera productions and with various other ensembles. An enthusiastic advocate for the guitar and lute, Elizabeth has given numerous outreach performances at schools, senior centers, and community centers for the Seattle Classic Guitar Society and the Early Music Guild, as well as by arrangement while on tour. She is head of the Guitar and Lute program at Pacific Lutheran University, and has taught at Seattle Pacific University and the Accademia d’Amore (baroque opera workshop, Seattle). See her on YouTube at www.youtube.com/user/ElizabethCDBrown or for more information visit: www.elizabethcdbrown.com

For Questions:

Elizabeth C. D. Brown, Guitar Lecturer
School of Music, Theatre & Dance; Pacific Lutheran University
(253) 535-7602 e-mail: brownec@plu.edu

Abby Deskins, Coordinator of Educational Outreach Programs
College of Professional Studies; Pacific Lutheran University
(253) 535-7877 e-mail: adeskins@plu.edu